I MIC A battery for a live performance. Which of these microphones should be used?
I MIC A battery for a live performance. Which of these microphones should be used? Just want a simple setup (2 overheads, snare and bass drum) Mics I have are: 2 x Shure SM57 2 x JTS NX9 1 x Roland DR50 1 x JTS TX-8 1 x Peavey PVM-45 Thanks
use the SM57 for the snare drum of whether to use Peavy JTS NX9 toms and on the head of the other SM57 used for hat 150,00 the nadys will do well for a good starter package and SM57 are stiil keep those sweet drum mics like for me to direct my drums through triggers through an Alesis DM5, occupies much less space in the mixer too
Drum Mic Test: Shure PG 6 Pack
| | Shure PG 4-Piece Drum Microphone Package $249 The Shure PG 4-Piece Drum Microphone Package includes a PG52 kick drum mic, 3 PG56 snare/tom mics, and a carrying case. PG microphones are application-specific with the same durability and performance attributes of other Shure microphones at an attractive price. |
| | Shure PG 6-Piece Drum Microphone Package $399 The Shure PG 6-Piece Drum Mic Package includes one PG52 kick drum mic, 3 PG56 snare/tom mics, 2 PG81 instrument mics, and a carrying case. PG microphones are developed with distinct characteristics and performance-based applications in mind, so you can be sure that they will perform up to the high standards expected of a Shure mic. |
| | Shure Beta 52A Kick Drum Mic $189 The Shure Beta 52A Kick Drum Mic is a high-output, dynamic microphone with a frequency response tailored specifically for kick drums and other bass instruments. It provides superb attack and punch, and delivers studio-quality sound even at extremely high SPLs. Its modified supercardioid pattern ensures high gain-before-feedback and excellent rejection of unwanted sound.Channel Strips of the Stars: Ronan Chris MurphyWorld-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica (#189903); for kick drums, I prefer the Shure Beta 52. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."Note: for more information about individual units in the signal chain, enter the Item ID# into our search box. |
| | Shure Drum Mic Package $399 The Shure DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes 3 Shure SM57 microphones, one Shure Beta 52A microphone, 3 A56D drum-mounting systems, and a lightweight, durable carrying case. |
| | Shure KSM32/SL Condenser Mic $549 The Shure KSM32/SL Condenser Mic has extended frequency response for incredibly natural sound. A transformerless preamp eliminates crossover distortion and improves linearity. The gold-layered, high-compliance diaphragm improves low frequency and transient response. 15dB attenuation switch handles high SPLs, the switchable low-frequency filter reduces background noise. The 3-stage pop-protection grille reduces breath noises, and internal shock mount reduces handling noise. Frequency response: 20Hz to 20kHz. Includes locking aluminum carrying case, ShureLock elastic-suspension shockmount, ShureLock swivelmount, and padded bag. Requires phantom power.Channel Strips of the Stars: Ronan Chris MurphyWorld-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics into an A Designs Audio Pacifica (#189903) to a Manley Variable Mu Limiter Compressor (#620908); for kick drums, AKG D112s (#271161) into A designs Pacificas. (I prefer the Shure Beta 52 (#270267) for kick but they were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)." |
| | Shure PG56-XLR Dynamic Drum Microphone $69 The Shure PG56-XLR Dynamic Drum Microphone has a sturdy die-cast housing that contains a rugged dynamic cartridge with neodymium magnet that's tailored for snares and toms. Internal shockmount and a hardened steel grille prevent handling noise and ensure years of trouble-free service. Frequency response: 50Hz-15kHz. Shure includes clip, mic pouch, drum mount, educational guide, and 15' XLR cable with your PG56-XLR Mic. |
| | Shure KSM137 Cardioid Studio Condenser Microphone Pair $598 Shure KSM137 are end-address condenser microphones with cardioid polar patterns. Designed for studio use, yet rugged enough for live applications, these two KSM137 mics can withstand extremely high sound pressure levels. Their low self-noise and extended frequency response make them ideal for recording acoustic guitar, drum overheads, and hi-hats. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; highly sensitive 2.5-micron gold-layered mylar diaphragms; and switchable, 3-position low-frequency filters to limit unwanted background noise and proximity effect. The microphones can capture sounds between 20Hz and 20kHz. The Shure KSM137 microphone sports a champagne finish and comes with accessories including a break-resistant mic clip, carrying case, and Popper Stopper windscreen.Both require phantom power. |
| | Shure A56D Microphone Drum Mount $39.99 Shure's innovative A56D Microphone Drum Mount sets a new standard for versatility. Compact in design, the A56D can be used in a multitude of positions for accurate microphone placement. Live or in the studio, this universal clamp can be mounted virtually anywhere, including drum rims and racks, microphone stands, and cymbal stands. You'll reduce the stage clutter associated with traditional mic stand set-ups. Designed with captive parts to prevent the loss of individual pieces, the A56D mic mount is small, secure, and sturdy, and can be used with any standard microphone, making it a great tool for both musicians and sound engineers. |
| | Shure KSM137/SL Stereo Pair Cardioid Studio Condenser Microphones ¹ $598 The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for both studio and live use, the KSM137 mic can withstand extremely high sound pressure levels. Its low self-noise and extended frequency response make the Shure KSM137 ideal for recording acoustic guitar, drum overheads, and hi-hats. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The Shure KSM137 microphone can capture sounds between 20Hz and 20kHz. Set includes 2 mics, 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens. |
| | Shure Beta 91 Bass Drum Microphone $219 The Shure Beta 91 is a microphone unsurpassed for kick drums and other bass instruments. The Beta 91 provides both superior attack and punch, even at extremely high SPLs and a solid, strong low-end response. The Shure Beta 91's cardioid pattern provides outstanding gain-before-feedback and rejection of unwanted sound, and its low-profile design eliminates the need for external mounting hardware. |
| | Shure PG52-LC Dynamic Microphone $114 The Shure PG52-LC is a high-performance cardioid dynamic microphone tuned to capture the low-end punch of a kick drum. It includes an integrated stand mount, 5/8"–3/8" thread adapter, and storage bag. |
| | Shure SM57 and SM58 Microphone Package $669.99 This microphone package gives you 6 of the most widely used and reliable stage mics of all time: 4 of the legendary Shure SM58s and 2 of the equally legendary Shure SM57s, plus all the accessories you need for putting them on your mic stands and plugging them in. |
| | Shure KSM353 Ribbon Microphone $2695 The Shure KSM353 is a premium bi-directional ribbon microphone crafted for pristine audio in studio and concert hall applications. Proprietary Roswellite technology provides revolutionary ribbon resilience and durability. The high-tensile strength, toughness and shape memory of Roswellite ribbon material replaces traditional foil ribbons for superior resilience at extreme sound pressure levels. Hand assembled in the USA from state-of-the art transducers, transformers, and metals as the pinnacle of Shure quality for prestigious vocal and acoustic performances. Shure KSM ribbon mics are the necessary choice for the world's most accomplished studio and live performances. |
| | Shure PG56-LC Dynamic Microphone $64 The shure PG56-LC is a compact dynamic microphone designed and tuned for close-miking your drums. The mic includes an A50D drum mic clamp, integrated stand mount, 5/8"–3/8" thread adapter, and storage bag. |
| | Shure KSM313 Ribbon Microphone $1295 The Shure KSM313 is a premium bi-directional ribbon microphone for world-class audio and performance. The Dual-Voice design features discrete front-and-rear side sonic signatures for use with amplified instruments or in intimate vocal applications. Hand-assembled in the USA with custom components and proprietary Roswellite technology for revolutionary ribbon resilience under extreme conditions. The high-tensile strength, toughness and shape memory of Roswellite ribbon material replaces traditional foil ribbons for superior resilience at extreme sound pressure levels. Shure KSM ribbon mics are the necessary choice for the world's most accomplished studio and live performances. |
| | AKG D 112 Kick Drum Microphone $249 On stage or in the studio the AKG D 112 Kick Drum Mic is the microphone to use to clean up the dirty low down. Stays free of distortion even at high sound pressure levels. Solid and powerful response below 100Hz. Very low diaphragm resonance, relatively narrow-band rising high-frequency response at 4kHz, and extremely robust construction are other outstanding features. Also works great for bass cabs, trombone, and other low-frequency instruments. Channel Strips of the Stars: Ronan Chris MurphyWorld-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica; for kick drums, AKG D112s into A Designs Pacificas (189903). (I prefer the Shure Beta 52 (#270267) for kick but they (D112s) were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."Note: for more information about individual units in the signal chain, enter the Item ID# into our search box. |
| | Shure Beta 52A Kick Drum Microphone with Cable and Stand $199 With a low-profile mic stand, 20 feet of XLR mic cable and the Shure Beta 52A Kick Drum Mic, this package was put together to help you pick up your low-end instruments at a lower price.Shure Beta 52A Kick Drum Mic The Shure Beta 52A Kick Drum Mic is a high-output, dynamic microphone with a frequency response tailored specifically for kick drums and other bass instruments. It provides superb attack and punch, and delivers studio-quality sound even at extremely high SPLs. Its modified supercardioid pattern ensures high gain-before-feedback and excellent rejection of unwanted sound.DR Pro DR256 mic stand The DR Pro DR256 is a basic low-profile tripod microphone stand with telescoping boom. Boom is 19" and extends to 31". It is height adjustable from 9" to 17". The tripod legs extend to 19" per side.Gear One XLR Microphone Cable For serious-minded musicians, Gear One's XLR cables have the strength and durability to withstand more than everyday use. Since your cable is your sound, this XLR mic cable's superior wiring allows your signal to be quiet, eliminating frustrating hums, buzzing, and crackles. |
| | Shure Beta 98DS Condenser Mic $229 The Shure Beta 98DS Condenser Mic is a mini condenser mic with very high SPL handling, super-tight uniform supercardioid pattern, and great dynamic range. Included gooseneck drum mount provides quick, secure mounting with precision placement and no drum key. |
| | Shure SM58 Microphone with Cable $104 This microphone kit provides you with one of the world's most popular vocal mics, Shure's SM58, with a 20' Gear One XLR cable.Shure SM58 microphone The Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. It has a tailored vocal response for a sound which is popular worldwide for singing or speeches. A highly effective, built-in spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the Shure SM58 mic will perform consistently, outdoors or indoors.Gear One Mic Cable For serious-minded musicians, Gear One's XLR cables have the strength and durability to withstand more than everyday use. Since your cable is your sound, this XLR mic cable's superior wiring allows your signal to be quiet, eliminating frustrating hums, buzzing, and crackles. |
| | Shure PG48 Microphone 6- Pack $179.99 The Shure PG48 Microphone Pack includes two Shure PG48 Dynamic Vocal Microphone 3-packs, six 20' Lo-Z Microphone cables, and one 6-Space Microphone Bag.PG48 Dynamic Vocal Microphone Engineered to be easy to operate, the Shure PG48 mic lets you capture the imagination of your audience so you can get your message across. Just as artists, visionaries and social leaders across generations and around the world have done with Shure products for more than 75 years. The Shure PG48 microphone has a tailored frequency response that is smooth, extended and is tuned specifically for vocal applications The Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides and is less susceptible to feedback. The dynamic cartridge has a simple, rugged coil and handles extreme volume levels without distortion. Lo-Z Microphone cables This Lo-Z Microphone 20' cable is durable, flexible, and black. It features XLR connectors – male plug on one end, female on the other. 6-Space Microphone Bag The 6-Space Microphone Bag is a fully padded nylon carrying case that securely holds 6 mics. Includes a zippered pouch that holds cables and other gear and has an adjustable shoulder strap. |
